Episodes
ENG Ep. 1 Ep. 2 Ep. 3 Ep. 4 Ep. 5 Ep. 6 Ep. 7 Ep. 8 Ep. 9 Ep. 10 Ep. 11 Ep. 12 Ep. 13 Ep. 14
ITA Ep. 1 Ep. 2 Ep. 3 Ep. 4 Ep. 5 Ep. 6 Ep. 7 Ep. 8 Ep. 9 Ep. 10 Ep. 11 Ep. 12 Ep. 13 Ep. 14


8

John is in his accommodation, sitting at the desk with his laptop. He has some headphones on.
John's face is enlightened by the changeable light coming from the screen.
He becomes serious and worried, his mouth is partially open, while, with his immobile eyes, he stares at the screen.
On the computer, the images may continue to quickly change, according to the variable light on his face.
John closes the screen, stands up and starts walking thoughtfully across the room, with his hands along his hips, and his head slightly raised.

John is still in his lodging.
He hears a gunshot from the outside, right after someone shouts.
He grasps a weapon and opens the door just enough to watch outside.
In the distance he sees Derek who's gripping a Desert Eagle while another man, slim, tall, colored, bald, is holding him.
Derek looks upset.
John sees Cameron appearing also, who watches Derek.
John closes the door a little more, and continues to spy thru the narrow opening.
The man who was keeping Derek takes him away, while Cameron goes back in the position from which she had arrived.

Ellison goes to Cameron, unbuttons his jacket, and sits down in front of her.
Ellison
Cameron
Ellison
Cameron
Ellison
Cameron
Ellison
Cameron
Ellison
Ellison takes a bubble envelope, A4 size, from his jacket.
The envelope is full, about 5-6Cm {1in} large for all its surface.
Judging from the way he holds it, it may be heavy..
He puts the it on the table while standing up.
He remains on his feet in front of the desk for a few seconds.
He rebuttons his jacket while looking at the envelope, then looks at Cameron.
Ellison
Cameron
Ellison
Cameron

John meets Derek in the tunnels. He is sitting on the ground, he has a blank face and keeps his head slightly down.
John
Derek
John
Derek
John
Derek
John
Derek
John
Derek
John
Derek
John
Derek
John
Derek
John
Derek
John looks at Derek for some seconds, then shakes his head and looks ahead.
John

Cameron has just released the button on the intercom, and returns to sit at the desk.
After a little time Murch and Sarah arrive.
Sarah
Cameron
Sarah
Cameron
Sarah
Cameron
Sarah
Cameron
Sarah
Murch
Sarah
Cameron
Sarah
Cameron
Sarah
Cameron
Sarah
Cameron

John and Derek are still talking.
John
Derek turns white, terrified face.
He remains silent for some seconds.
Derek
John
Derek
John
Derek
John
Derek
John
Derek lowers his look, turning his face lightly to the other side, while his eyes are turned low and to left.
Derek
John
Derek has the same expression as before, has turned his head to the other side even more.
Derek
John
Derek
John
Derek
John
Derek
John
Derek
After a short silence, in which no one seemed to know what to say.
Derek
Derek rises and walks away.
John remains on the ground for some seconds, with a blank face.
He keeps his chin with two fingers of his right hand.
After some time, talking to himself.
John

Sarah, Cameron and Murch are still in the server area.
Sarah remains thoughtful for many seconds.
She nervously walks back and forth along the desk, with her hands behind her nape, and her head slightly bent ahead.
She suddenly stops, lowers her hands, and looks at Cameron
Sarah
Cameron
Sarah
Cameron
Sarah
Cameron
Sarah
Cameron
Sarah
Cameron
Sarah
Cameron
Sarah
Cameron
Murch
Sarah
Murch
Sarah
Murch
Sarah raises her head and looks at him, like someone who is beginning to understand and is thinking.
Sarah
Cameron
Murch
Both Sarah and Cameron look at him.
Sarah
Murch
Sarah
Murch
Sarah
Murch
Sarah
Cameron
Sarah

Derek goes to Rudolf's bunker.
At the entrance there are no longer the two guards with the dogs, but only Cameron.
Derek approaches showing his hands.
Derek
Cameron
Derek
Cameron
Derek
Cameron
Derek
Cameron
Derek
Cameron
Derek
Cameron
Derek
Cameron
Derek
Cameron
Derek
Cameron does her usual gesture by slightly tilting her head.
Cameron

It's night in the desert.
Cameron is outside the bunker, at a few meters from the lateral door.
She's standing, immobile, with her back to the mountain, looking straight at the horizon.
Murch exits from the small door and approaches her with an amazed face.
He's immobile, about one meter at her left, slightly behind her.
Murch
Cameron
Murch
Cameron
Her view, with an enhanced zoom, shows the city that "moves".
Murch
Cameron
Murch
Cameron
She looks forward again, at the horizon.
Cameron
Murch
Cameron
Murch
She looks at him with a satisfied smile for a couple of seconds.
Murch
Cameron
Murch
Cameron
Murch
Cameron
She then looks forward again.
Murch
She remains quiet for some seconds, still looking at the horizon.
Cameron
Murch
Cameron

John is on his laptop, in his room, still with the headphones on.
Someone knocks at the door.
John presses a key, closes the screen, takes off his headphones, and goes to check.
That's Derek. John opens the door.
John
Derek
John
Derek
John
Derek
John
Derek continues to observe it.
He waves a long and slow "no" with his head.
Derek
John
Derek
John
Derek
John
Derek
He opens the door and leaves.
John
John is back at his desk, and opens the laptop.
A still image is on the monitor, probably taken in low light, or in IR.
It's the inside of a not so large room: it's narrow and a bit longer.
On the long side on the right of the image there's an old upright piano. The keyboard lid is open.
On the opposite side there's an open door. Some light enters thru it, probably the only light in the room
The contrast of light clearly highlights the falling legs of someone who is being dragged away thru the door.
At the bottom of the image there is adesktop, which is empty.
On the last side, opposite to the desk, there are a bed and a bedside table.
John zooms on this latter, showing a tray with something of small.
John restores the original size of the image.
No windows can be seen, and the ceiling is too low, maybe less than 2.20m {~7ft}.
John puts his headphones back on.
He presses a key and the light begins again to change on his face.

Murch and Cameron are entering by the small side door.
Murch has already entered, while Cameron is still outside.
Murch sees Sarah quickly getting into a military vehicle with an AK-47 in her hand.
Very quickly Sarah starts the engine and leaves without lights.
Cameron, who was just behind him, enters too.
Murch has an amazed face.

{Flashback}
Same opening scene from AfP, from the moment Allison arrives to the door of the bunker, to when she's captured with the net.
{End of the flashback}

There's the interior of a kitchen. A door opens.
A blond woman enters, while talking on the cell phone smiling. Her voice is not too loud.
She brings some shopping bags.
She puts the bags on a table, while still talking on the phone.
She greets and hangs the call.
She starts pulling out stuff from the bags.
She goes towards the other room, which is less enlightened.

John is still at his laptop.
His face is still enlightened by the variable light coming from the screen.
He's upset for some seconds , then he's amazed .

Scene from AfP in which Cameron takes Allison by her neck and is going to kill her.
Cameron has raised Allison by the neck with her left hand.
She looks at her in the eyes and is going to kill her.
She sees something that catches her attention.

The blond woman walks towards the other room.
As soon as she enters, she scares.
There's Cameron there, with an infant in her arms.
The woman petrified.
Woman
Cameron makes a sign to be quiet, putting a finger on her own lips.
The baby is sleeping: she has a white dress and a white bonnet down to her eyes.
Woman
Cameron motions again for silence, then gently leaves the baby in her cradle.
She goes towards the woman, who is scared.
She nods her to go to the kitchen.
They are both in the kitchen.
Cameron
She positively nods, while trembling.
Her mouth is slightly open.
Woman
Cameron takes a necklace from her neck and gives it to the woman.
Cameron
Claire Young looks at the necklace: it's in rubber, adjustable, with a crystal pendant.
Looks at Cameron and nods again.
Cameron
C. Young
Cameron
C. Young
Cameron
C. Young
Cameron
Cameron takes the necklace and hangs it on the woman's neck.
Cameron
The woman is more and more astonished, and nods.
Cameron
{Flashback}
From 2x04: scene in which Allison says she wants to hear the name they want to give her... up to when they do...
{End of the flashback}
Cameron
Claire Young looks at Cameron in the eyes.
Thru the hair she sees the mole aside her left eyebrow .
She's highly amazed, almost frighten.
The woman nods again.
Cameron takes a white anonymous bag from the floor.
It's big and thin
Cameron
The woman takes the bag and extracts its content.
It's an LP, visibly antique, with a big inscription "Chopin" and the picture of the composer.
Under the name a second inscription says "Édition spéciale".
Woman
Cameron
Woman
Cameron
Woman
Cameron opens the door and walks away without looking back.
Claire Young leaves the vinyl and goes to the baby.
She takes her, keeping her head near her own left shoulder, then kisses her on the forehead.
The baby wakes up, moves her hands causing the bonnet to fall.
The baby has a mole on the side of her left eyebrow.
The woman smiles and lulls the baby, then touches the pendant on the necklace.

In the interrogation room, on the aircraft carrier, Cameron has just seen something that attracted her attention.
Cameron
Allison
Cameron observes the pendant and analyzes it.
Cameron
She leaves Allison.
Allison
Cameron goes away, leaving Allison and the necklace.
She returns in a few seconds with a gun in her hand.
Allison
Cameron takes the necklace.
She turns on the laser pointer from the gun and directs it to the pendant, downward.
On the desk, in red, two multiple-digit numbers appear, one above the other.
Cameron
Allison
Cameron looks at the numbers, which are recognized by the OCR and stacked-up in the upper-left corner of the interface.
She looks at Allison's arm, analyzes the barcode, stacking-up the decoded number on the upper-right corner of the HUD.
The number starts blinking, along with the first one on the left.
Cameron
Allison
Cameron leaves her.
Allison
Cameron
Allison
Cameron
Allison
Cameron
Cameron takes Allison's bracelet/pass and leaves the necklace.
She's going to leave.
Allison
Cameron

John is still his the laptop, with the headset. He's very serious.
John unplugs the headphones, putting them on the desk.
On the screen there's Allison, as Cameron has seen her.
Allison
Cameron
Allison
Cameron says nothing for a couple of seconds.
Cameron
Allison is definitely astonished, she collapses on the chair.
Cameron
Allison looks at the necklace on the table for some seconds, then takes it and wears it again.
Cameron turns over again and resumes walking.
John quickly stands up and closes the laptop.
He's about to leave the room.
He abruptly stops, remaining immobile and perplexed for a couple of seconds.
John
John sits down again thoughtful, keeping his palms to the temples, and his elbows on the desk, sideways to the closed PC.
After a while he re-opens the laptop and resumes watching, extremely thoughtful.
John
John closes again the screen, rises and starts walking thoughtfully across the room, with his hands behind his nape, keeping the elbows ahead, and head bent forward at 45.
He keeps walking, then suddenly raises his head and leaves the room.
He goes to Savannah's room and knocks.
After a few seconds, she opens the door.

Savannah
John
Savannah
John
Savannah
John
Savannah
John
Savannah
John
Savannah
John
Savannah
John
Savannah
John
Takes a chip from his pocket and inserts it.
After 120 seconds the Terminator reactivates.
Terminator
John

John and the Terminator are among the rubble. It's night.
John finds a destroyed endo with an intact right arm, and shows it to the Terminator.
John
Terminator
John
John starts to remove the arm from the destroyed endoskeleton to which it belonged.
The Terminator observes him confused, then begins.

Now the Terminator has both arms, and wears some gloves in order to increase the grip.
They're near a small HK with a destroyed engine, but in good general conditions.
John
The Terminator takes it.

They're returning to the tunnels.
The Terminator carries the HK, while John has another engine in his hands, that he probably took from another HK.
They arrive to another unused room, much larger, about 6x6m, with a big door.
John

They're back to Savannah.
John
Savannah
John
Savannah
John
He goes away.
Savannah
Terminator
Savannah

John is repairing the HK.
He has removed the damaged engine and is watching it, then he starts reconnecting the working one.

John completed the HK, which is on the ground, connected to his laptop.
He types something and the HK turns on.
John
John opens again the video file.
There's Allison's interrogation as Cameron saw it.
On the screen:
Allison
Cameron takes the necklace, directs the laser beam to the pendant, downward.
On the desk the numbers appear, in red.
Cameron
Allison
John opens again he HK configuration interface and, while typing, he talks to himself...
John
John continues to type, then disconnects the cable from the HK.
John
The HK lifts-off and goes away. It's night.

It's dawning.
John fell asleep resting his head on the desk, using his left arm as a pillow.
In front of him there's still his laptop, while a plasma rifle is in his hands.
The small HK comes back and approaches the closed door.
John suddenly wakes up and lets it in, then he reconnects it to his computer.
On the screen there's a table with the report, containing the data about 15 ships.
12 are empty, 2 contains only humans, and one contains both humans and cyborgs.
John clicks on the row corresponding to this last one.
On the screen a map appears, with a blinking red dot.
Sideways there's a table.
Ship type: Aircraft carrier
Weapons: n.d.
Human presence: 18
T-888: 2
T-800: 1
T-600: 6
Other cyborgs: 3
John presses a key and the structure of the ship appears, with the various internal levels.
The position of the prisoners is reported in red, while the position of the Terminators is in blue.
A prisoner is isolated from the others, in a lateral cabin under the airstrip.
All the other prisoners are in the hold.
John continues to type something, the HK is still connected.
He unplugs the HK, which reactivates and remains still.
John puts something in a small backpack.


Total calm around the aircraft carrier. It's night.
The ship is anchored at some hundreds of meters from the coast.
Silently the HS approaches her, flying just above the water.
It arrives under the ship, where it cannot be seen from the upside because the airstrip stretches out of the ship.
It starts flying vertically, almost immobile.
It goes to the portholes, flying slowly to watch inside.
It's near to one of the portholes of Allison's cell.
She's sleeping, sitting on the ground in fetal position, lying on the wall in front of the porthole, with her head on her knees.
Inside the room a bright orange circle appears on the wall under the porthole, having the diameter of about 70cm {~2.3ft}.
Allison wakes up scared.
A round piece of the metal sheet takes away and falls into the water.
Through the hole the HK appears, with half T-600, from the bust to up, attached under it.
Allison looks around frightened for a moment, then remains as close as possible to the wall behind her.
She stares at what's outside.
The Terminator stretches a hand to her.
Terminator
On the ship the alarm activates.
Allison, still frightened, waves a "no" by shaking her head.
Terminator
She goes towards the hole.
The Terminator takes her by putting his arms around her torso, under the kidneys.
She holds around his head and tries to hook her feet as she can.
The HK lowers again and begins to fly just above the water, proceeding in a zig-zag and with difficulty to the coast.
Two other HKs start to chase them, shooting. They are approaching ever more.
Terminator
Allison
Terminator
Allison
She takes a deep breath.
The Terminator leaves her and the HK flies away.
Allison waits under the water for the two other HK to pass her, then reemerges and starts swimming.
She reaches the coast, where John sees her and attracts her. He's hidden among the ruins.
She reaches him.
Allison
John
They hide in the ruin and start looking at their HK chased by the other two and shot down.
John
Allison
John
Allison
John
Allison
John
Allison
John


They arrive into some kind of cold-war era anti-atomic shelter.
Allison
John
Allison frowns her eyebrow while looking at him with an interrogative face.
John
Allison
John
Allison
John
Allison
Cameron
Allison
John
Allison
John
Allison
John
Allison
John
Allison
John
Allison
John
Allison
John
He takes her necklace. He has a dark face.
John
Allison
John
Allison
John
She looks at him in the eyes for a few seconds.
Allison
John
Allison
John
Allison
John
Allison
John
Allison
John
Allison
John
Allison
John

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