Episodes | ||||||||||||||
ENG | Ep. 1 | Ep. 2 | Ep. 3 | Ep. 4 | Ep. 5 | Ep. 6 | Ep. 7 | Ep. 8 | Ep. 9 | Ep. 10 | Ep. 11 | Ep. 12 | Ep. 13 | Ep. 14 |
ITA | Ep. 1 | Ep. 2 | Ep. 3 | Ep. 4 | Ep. 5 | Ep. 6 | Ep. 7 | Ep. 8 | Ep. 9 | Ep. 10 | Ep. 11 | Ep. 12 | Ep. 13 | Ep. 14 |
6
John is walking in the tunnels, thoughtful. |
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At a few meters there are two men, about fifty. |
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They're talking to each other, sitting on the ground. |
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Man 1 | I swear, with bare hands! | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 2 | Shut up, you're making the whole thing up! | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 1 | Why should I? That girl was a power of nature! I've never seen something like that! |
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Man 2 | (Sarcastically, in a mocking tone) So she would have got rid of three T-600 with no weapons... You must have been drunk! |
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John approaches them. |
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John | Excuse me for intruding, what were you talking about? | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 2 | He claims to have seen a girl overcoming four T-600 with bare hands! (Talking to John) That's ridiculous, tell him you too! |
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Man 1 | They were three! | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 2 | What? | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 1 | They were three, not four! | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 2 | Three, four, who cares... Even with only one of them, she'd have been dead! |
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John | (Talking to the first man) When did it happen? | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 1 | Well, it's been at least ten years, or even more! | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 2 | Shut up... | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
John | What did she look like? | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 1 | I don't remember... You know, (pointing his same face) it's since the beginning of the war that I lost my glasses! She was an about twenty, twenty-five years old girl, not so tall... |
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John | And she faced them with her bare hands!? | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 1 | That girl was an expert in martial arts, or something like that. She got rid of them right the time to save that child and to run. |
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John | Martial arts, you say! Do you remember something else about her, about her look? |
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Man 1 | I don't know... | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The man is pensive for some seconds. |
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Man 1 | Oh, yes: she walked near to me when she ran away with that kid... I, of course, was hidden. Oh, yes... she had a mole on her face, I clearly remember this! |
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John | Where did it happen? Where can I find her?! | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 1 | Not so far from here, I remember we were near to {...}. She arrived from some kind of bunker, maybe the safety vault of an old bank... |
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John | A safety vault in a bank you say... I think I've understood where it is... |
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Man 1 | I've never seen her again. No one did! | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
John | Can you tell me something more? | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Man 1 | No, I'm sorry. Why are you so interested? |
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John | OK, thank you. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
John suddenly over and goes away walking quickly. |
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Man 1 | Hey, why are you looking for her... | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ellison arrives to the bunker with his car. Sarah approaches him while he's stopping. Sarah |
I need your "federal agent opinion". |
Ellison |
Shh! (pointing the rear seat.) |
Sarah looks in the car: on the rear seat Savannah is sleeping. Sarah |
(In a lower voice, but with a serious tone) How can you have even thought to bring her here?! |
Ellison gets out of the car and walks away with Sarah. Ellison |
It seems I've been appointed as her temporary legal guardian during her mother's absence. |
Sarah |
Legal guardian? |
And so you decided to bring her here... Have you thought that she could tell someone where she has been, or how to get here? Ellison |
You've a son, but you're not an expert about children... |
She's sleeping since we were still in town, do you really think she could be able to tell someone even just in what area we are? Sarah |
Well, anyway a bunker full of weapons and "what we have downstairs" is not a good place for a child... |
Ellison |
Where was I supposed to bring her? |
She knows everyone here... Actually we are the only persons she knows... Sarah |
That girl needs to go to school, to stay with other children, to do things children do... |
You can't keep her here! Ellison |
Ms. Weaver left precise instructions about this. |
She must continue to attend this surroundings, Mr. Murch and, I textually quote, "John Henry or whoever for him"! Sarah |
(Thoughtful face) Yes... I think I've understood. |
I hope you've thought to buy something suitable for her. Ellison |
Never had children doesn't mean I don't know how to behave with one... |
Sarah |
I warn you: if she feels closed, or forced to stay here, you'll carry her away! |
And don't leave her in a car, move her downstairs, in a cot... there's Murch there. Ellison gently takes Savannah and goes towards the elevator. He arrives to the dormitory floor, where he leaves her in a bed. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
John and Savannah are just outside Rudolf's secondary bunker. She's slowly drinking from a canteen, he lays against the wall. They both look a bit bored, especially John. John |
It's been days that we're here doing nothing, and nobody tells us anything! |
Savannah |
Relax... They'll tell us something when they have something to tell us! |
John |
Perhaps.... |
Savannah |
Where have you been this night... and the other nights? |
John |
I was looking for a place they talked me about... |
But it seems that each point of reference I had has been destroyed by the bombs... Savannah |
What kind of place? |
A man screams in another tunnel, not so far from them. Man |
We've been attacked in the main tunnels. |
They killed almost everyone! John and Savannah hear everything. They are worried, and run towards him. John |
(To a soldier) What's happened? |
Soldier |
They attacked us. |
Four triple-8 eluded the guards and entered directly by the trap door. A massacre! John |
Did they take Rudolf? |
Man 2 |
No, he has not returned yet from his mission. |
No one knows where he is. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ellison goes to Murch, who is eating something on a table, at the canteen floor. Ellison |
Hello Mr. Murch. |
Murch |
Oh, hi, would you like something (pointing the food on the table)? |
Ellison |
No, thanks Mr. Murch. |
(Looks at the stuff Murch is eating) You should eat something more genuine... While you can still find it... Murch |
"Can still find it"? |
Oh... in that meaning (usual strange face)... I prefer not to think about that... Ellison |
I know... |
Listen, I brought Savannah here. I received some instructions Ms. Weaver had left to her lawyers. Murch |
Oh, I see. |
Well there is no problem, for me. Ellison |
It would be better if she didn't go down... at least for now. |
Murch |
Well, I personally don't see where the problem would be... |
Anyway, I won't bring her down. Ellison |
Thanks Mr. Murch. |
She is sleeping in a cot now, I have to return up to Sarah. If she wakes up, pay attention. Murch |
OK... |
Ellison looks again at the stuff on the table and shakes his head disapprovingly. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
After some other days, Rudolf returns from his mission with some men. A soldier, who was already there, talks to him, then Rudolf goes to his bunker. The guards at the entries of the the tunnels keep checking the external area with some binoculars. Savannah is in the tunnels, she's reading something. Man 1 |
She's coming back! She's escaped! |
Savannah hears him and goes towards him. A second soldier comes close too, with a plasma rifle in his hands. Man 2 |
(Watching outside) Be careful, are you sure that's her? |
Man 1 |
Yes, that's her,. |
(Still watching outside with his binoculars) She also has the pass! Allison approaches and enters by the first door, that closes on her back. She has many wounds and bruises on her face and her arms. She's dirty. Second door is still closed. The dogs begin to fuss, they are nervous. Man 1 |
(Waves to be quiet, then, with a low voice) There's something that doesn't convince me... |
Savannah goes to a control station between the two doors, and uses some devices. {} She has an amazed face and waves Man 2 to proceed. U2 takes a speargun and shoots thru a hole in the door. The spear is connected to a wire. The electricity paralyzes Allison who goes down. Suddenly Savannah enters, a knife in a hand, and begins to cut. She extracts the chip. Man 2 |
(Aiming the plasma rifle) We must destroy this thing! |
Savannah |
No, stop it. I'll take her. |
(Waves Man 1) Let's bring her to my lab. Man 1 |
What does it mean, what do you want to do? |
Savannah |
From now on, if we take them in good conditions, we won't destroy them anymore. |
Rudolf's orders. Man 1 |
If he says so... |
Man 1 drags her up to outside Savannah's new room, while she proceeds with the chip in her hand. Savannah opens the door, then, takes an office chair from her room, and gives it to him. Savannah |
Put her there and leave her, thank you. |
He puts the body on the chair. She moves the chair inside and closes the door on her back. She puts the chip in an antistatic box and leaves it near the body. She leaves the room and closes again the door. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ellison has returned to the upper level of the bunker, and goes to Sarah. Ellison |
She sleeps. I told Murch not to allow her to go down. |
Sarah |
Yes, you did well. |
Ellison |
What did you want to tell me before? |
Sarah |
I need your opinion. |
Ellison |
About what? |
Sarah |
Not what, but who. |
Agent Auldridge. Ellison |
Who? |
Sarah |
The agent who interrogated me in prison. |
Ellison |
Yes, I met him. |
Sarah |
He thought to be cunning, but he was a novice. |
Ellison |
Maybe because he didn't know who he was dealing with... |
Sarah |
He tried to convince me that he believed me, to arrive to John... |
Ellison |
Yeah... that's a standard tactic... |
Obviously you're not exactly "in the standards"... Sarah |
He has also told me that someone has kidnapped Myles Dyson's son... |
Ellison |
Maybe he simply wanted to observe your reaction, since you're accused to have murdered his father... |
Sarah |
Can you check if that's true? |
Ellison |
Well, you've connected the net down, didn't you? |
Sarah |
I asked to Murch to do that, but he says that it wouldn't be a prudent search to do from that line... |
Cause John Henry's brother... Ellison |
OK, I'll check, I have my sources, much more reliable and detailed... |
Anyway I doubt it's true. Sarah |
What if it was? |
Ellison |
Well, if that was the case, before coming to some rash deduction, also considering their economical conditions, I'd think to a kidnapping for demanding a ransom. |
Sarah |
Well, who wants to ask for a ransom doesn't wait three months... |
Ellison |
Let me check if it is true, before making any conjecture... |
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John is walking in the tunnels with a binocular in his hands. He ears some men who are talking. Man 1 |
Did you hear, Allison is back! |
John approaches them. Man 2 |
Yes, but that wasn't her. |
That was a metal, but they captured her. Man 1 |
Captured? |
Man 2 |
Yes, the technician... that strange girl... |
John starts running. John is near Savannah's room door, and knocks insistently. Savannah |
(Opens the door) What's happening? |
John |
(He's upset, anxious) I heard you've got a special product. |
Savannah |
I told you, I can't let you enter when you want! |
John |
Please, I can't explain right now, but it is very important for me! |
Savannah |
(Looks him in the eyes for a few seconds) Come in. |
John enters. He sees the body, with no chip, on the chair. He goes near to her and stares her. John |
(With an imperceptible voice) Cameron... |
Savannah |
What? I didn't understand, sorry. |
John |
Nothing... |
What are you going to do with her? Savannah |
I just spoke to Rudolf. |
He wants me to reprogram her to be his personal bodyguard. John |
Excellent, how do you think to proceed? |
Savannah |
The procedure I've developed is almost perfect, but we will keep her under test for a bit, because sometimes they go bad. |
John |
Wait, maybe I know why sometimes they go bad, follow me. |
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In the dormitory in the bunker, Savannah wakes up. She takes her soft toy giraffe and starts looking around curiously. She often touches the cement walls, which make her smile. Murch fell asleep at the table, in front of his laptop. She goes up to him, but then goes away. She continues to explore the various floors of the bunker. She goes to the main elevator, but a noise from its inside sends her away. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
John and Savannah are in front of his laptop. Savannah |
How did you do, we had never noticed that before! |
John |
Six eyes are better than four! |
That's why, the ones you've reprogrammed so far, sometimes go bad with no apparent reason. We need to reprogram the backup configuration area too. Savannah |
I didn't know there were two configuration tables, you're a genius! |
John |
Three! |
Savannah |
What? |
John |
The tables are three. |
A main one, a backup one, and a factory settings one. I've not been able to reprogram this last one, but they use it only in the first boot. We don't need it... I hope... Give me the chip. Savannah takes the small box from her pocket and opens it. In the sponge there is the chip. She hands the box to John. Savannah |
Here. |
John takes the chip with extreme gentleness. He looks at it for some seconds. He inserts the chip in the interface. A configuration screen appears. Savannah |
(Giving him a small paper she had in her pocket) These come directly from Rudolf. |
Set the mission to "protect the leader of the Resistance". John |
(Changes some parameters reading from the paper) OK, I proceed... |
He strikes Enter, and a progress bar appears, along with some description strings. Savannah |
What is it doing? |
Why is it saving the data? John |
Oh, it makes a backup of the memory, before proceeding... |
Anyway it doesn't work very well yet... OK, done. Double check it with your software, if you want. Savannah |
Let's go to test it. |
They go back to Savannah's room. She's checking the chip on her PC. Savannah |
Perfect, your software works very well. |
Couldn't they have defrosted you a bit before?! John |
Yes... maybe they should have done... |
Savannah goes near to Cameron, and is going to reinsert the chip. John |
Hold on! |
I don't want her to see me. She must never see me, this is very important! I'll explain you why, one day... Savannah nods. Savannah |
OK... Go, I'll proceed here. |
John |
Thank you... |
John keeps his eyes down. He goes away after giving a last long look at Cameron. He closes the door. Savannah inserts the chip. She has a remote in her hand. After a bit Cameron reactivates. Cameron looks at Savannah, saying nothing. Savannah |
Who are you? |
Cameron |
I don't have a name. |
Savannah |
We'll give you one... |
What's your mission? Cameron |
To protect the leader of the Resistance. |
Savannah |
What's your operative state? |
Cameron's view running a self-test. Cameron |
100%. |
Savannah |
Perfect. Welcome on board! |
Cameron |
Why don't I remember anything? |
Savannah |
Sorry, your memory has been erased. |
You'll make a new one by yourself. Follow me, now. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In the bunker Savannah walks down the stairs with her plush {soft-toy?} giraffe in her hands, and gets to the server's floor. She sees Cameron at the desk, and slowly goes towards her. Savannah |
Hello. |
Cameron |
(Looks at her, slightly twisting her head) Hello. |
Savannah |
I remember you. |
Cameron |
And I remember you. |
Savannah |
You are the one who helped me when that bad guy came to my house. |
Cameron |
Yes. |
Savannah |
You want to know my friend (going closer while bringing the giraffe with two hands to Cameron). |
She is Raffa, and she's a giraffe. She is alone here. Cameron |
How do you know? |
Savannah |
She told me... |
Cameron |
She is a plush, she can't talk. |
Savannah |
I know, but it's a game. |
Cameron |
It's a game (thoughtful face, watching nothing)... |
Savannah |
Yes. You have to image. |
She is no longer with the other animals. Cameron |
I have to image... |
Where are the other animals? Savannah |
They are all in the jungle. |
She feels lonely here... Cameron |
What animals are there in the jungle? |
Savannah |
There are the hippos... |
A video projector turns on, showing various images of hippos in nature. Savannah sees them and softly laughs. Savannah |
Yes! |
Cameron |
What other animals are there? |
Savannah |
There are zebras! |
The monitor shows some images about zebras. Savannah |
And the lions. |
Images about lions. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Savannah brings Cameron to Rudolf's bunker. Savannah |
I did everything as you asked. |
Rudolf |
Very well. |
What parameters did you give her? Savannah |
The ones you gave me. |
Rudolf |
Excellent Savannah, good job! |
Savannah |
There is this (giving him a small paper). |
Rudolf opens it and looks at it. "The new boy reprogrammed her. He says he absolutely doesn't want her to see him, I don't know why." Rudolf |
Well, if it's so, it will be so (while burning the paper)... |
Please, report it. Savannah |
OK, sir. |
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Young Savannah still is near to Cameron. Cameron |
What do these animals do, in the jungle? |
Savannah |
They are all together, with her (pointing the giraffe), and they play. |
The monitor shows images of the various animals, arranged in groups, including the plush giraffe. Savannah |
Good! How id you do?! |
Cameron alludes a smile. Savannah |
And there are wee too! |
Images of Savannah and Cameron add to the group of animals on the wall. Savannah |
(Laughs) And then they dance. We all dance. |
Cameron smiles confused. On the wall, the images start moving as in an upset ballet. Savannah |
Yes! (Laughs) |
She jumps on Cameron's knees and embraces her. She involuntarily pulls off the bandage from Cameron's face. Savannah looks at her and gets frightened. She screams and runs away to the door. While running she loses her giraffe. Cameron stretches for a moment an arm to her, then stays still, sitting. She looks perplexed. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Savannah knocks to John's room. He opens the door and lets her in. Savannah |
It was all perfect, even better than usual. |
I brought her to Rudolf. John is sitting on the bed, keeping his eyes down. He's a bit sad. John |
Good... |
Savannah |
I told him that you don't want to see her, or her to see you. |
He couldn't or didn't want to talk in front of her, so he simply told me to report you that, if you want so, that will be so... John |
Thank you. |
Savannah |
I think you owe me an explanation... |
John |
(Rising his head) Explanation? |
Do you mean, about my software? Of course, come here (pointing the desk). Savannah |
No John. |
She looks at him for a few seconds. Savannah |
The story about the hibernation... that was a lie, wasn't it? |
John |
(Shakes his shoulders) I told you, I can't talk about that. |
Savannah |
I know her. |
In the beginning, when I saw her, I thought I was confusing, but now I'm sure! John |
You know her because they may have made her copying Allison Young, she's identical to Allison. |
They've obviously done to make it easier for her to infiltrate. You know Allison, and now your brain is associating the wrong person to the same face it knows... and so you are confused. That's how the human brain works... association of ideas. Savannah |
No, I'm not talking about Allison. |
I know she's identical to her, and it's obvious why... I've already seen her... When I was young! John |
This is impossible! |
How should they have done to make another one, identical to Allison, in that time? Unless you're suggesting that Allison was one of them... Savannah |
John, don't try to tease me. |
I knew Allison, by sight, and I know she wasn't one of them, because she was growing. Above all, I know she wasn't the one I met when I was young. The one who was with you when you saved me... before the war! John |
You're confusing: I know who you're talking about... |
It can happen to confuse a face, especially after so many years. Savannah |
John, I've seen her again too... |
In the bunker! John has an amazed and excited face. He suddenly rises. John |
In the bunker, how is it possible!? |
Savannah |
I didn't tell you anything before... |
She was with your mother. Her endoskull was visible on her face, but I was a kid, I couldn't understand at that time. Today I've understood. John, how is that possible? She is the same, isn't she? Is that why you don't want her to see you? Is that why you rushed to me when she arrived!? John |
Where is she now? |
Where did she go? Savannah |
She's there, with Rudolf. |
John |
No, not that one, the other one. |
Yes, I mean... Where is she?... He lowers his head, saddened. John |
It's weeks I'm looking for her, but I have no clues... |
Savannah |
Why are you looking for her? |
John |
It could seem stupid, but she is my friend... |
Savannah |
No, that's not stupid. |
When I saw her in the bunker, she was... Sad. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cameron rises and watches the wall, on which the projector shows the image of her face. She looks her wound, the endoskull. She is perplexed and touches her face in front of the image on the wall. Savannah comes back, remains in the entry and looks towards the giraffe. She can't take it, it's near the desk. She remains hidden for some seconds looking at Cameron After a bit she begins to advance, slowly. Savannah |
Does it hurt? |
Cameron |
(Turns to her) No. |
Savannah |
What's happened to your face? |
Cameron |
An accident. |
I'm sorry, I didn't want to scare you... Cameron takes the giraffe from the ground and hands it to her. Cameron |
You left Raffa... (while sitting down) |
Savannah goes near Cameron and takes the giraffe, then goes abreast Cameron, on her left. Savannah |
(Touching the endoskull) It seems made in metal... |
Cameron |
Yes... |
(With a doubtful face) The doctors had to put it to help me, but it's healing now. And soon it will be all right (alluding a smile). She puts back the bandage on her face. Savannah hugs her in the stomach, standing next to the chair. Cameron is astonished and doesn't seem to know what to do. She caresses her hair with some incertitude . After a bit Murch arrives. Murch |
Hey, Savannah! |
Savannah goes to him and embraces him too. Savannah |
Hello Mr. Murch! |
Murch |
Hello! |
What are you doing here, you shouldn't be here. Savannah |
We were playing! |
Murch |
Oh, really!? |
He looks at Cameron, pleased, then looks the wall with the animals. Murch |
What good girls! |
Savannah |
It's funny. |
Murch |
Sure, but now we have to go upstairs, to Mr. Ellison. |
(To Cameron) I'll be there later. Savannah |
(Goes to Cameron and embraces her again) See you later. |
Cameron |
(Looks her and smiles) OK, go now. |
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Savannah is still in John's room. John |
Where is she now? |
Savannah |
I don't know... |
I've seen her only a few times, in the bunker, then I've never been there anymore... How can she be the same? John |
Don't say anything to anyone, please. |
Especialy to Rudolf, he wouldn't understand, and then... The day we went to Zeira, I found Cameron disassembled, her chip was missing... Your mother told me John Henry took it, to be able to come here. So we came here to get it back. I just wanted to take it and go back to her, but then I've found out about the bunker, and that John Henry had... Savannah |
You know where my mother is! |
John |
I'll bring you to Ms. Weaver tonight, but you won't be allowed to come back. |
What we had to do here, we have just finished it. Give my software to Rudolf, and this evening we'll leave never to return. Now I have to continue to look for "my" Cameron. Prepare your bags. Don't say goodbye to anyone, they wouldn't understand... | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Murch and Savannah reach Sarah and Ellison upstairs. Murch talks to them far from Savannah. Murch |
There is a good news, and a bad news... |
Sarah |
Now you expect someone to say "begin with the bad one"... |
Murch |
Yes, that's what usually happens... |
Savannah went down while I was distracted... Ellison |
I told you to control her! |
Murch |
OK, sorry... |
Ellison |
And which should it be the good news? |
Murch |
Well, I absolutely don't think this is a negative thing at all, right the contrary. |
Savannah knew John Henry, she was his friend, and this was positive for him. Sarah |
Well, I didn't know John Henry, but I well know Cameron, and it doesn't seem wise to me to leave her with a child! |
Murch |
Let me correct you, you've never seen John Henry while you've seen Cameron, but this doesn't seem to mean that you may know Cameron much more than you know John Henry... |
Sarah |
Ah, here we go again... |
Savannah is in his custody (pointing Ellison), let him to decide. Ellison |
I know a bit her, and I knew a bit the one who took Laszlo's identity. | They are unmerciful killers, but they don't kill without a reason. I don't think there is any risk, from that point of view. Also, I've met another one of them, if you well remember... I'll talk to her. Ellison goes to Cameron, in the server area. Ellison |
Hi Cameron. |
Cameron |
Hello, Mr. Ellison. |
Ellison |
Do you still want to kill me? |
He unbuttons his coat and sits down in front of her. Cameron |
I wanted to do that when you were a threat to the mission. Now you are not. |
Ellison |
Good... one less... |
Cameron |
What do you mean? |
Ellison |
Well, Sarah is not yet completely convinced that it wasn't me who denounced her, that day in the theater. |
Cameron |
That wasn't you. |
Ellison |
I know. |
He suddenly changes his expression, showing an interrogative face. Ellison |
How can you be so sure? |
Cameron |
Because I know who did. |
Ellison |
Was that you? |
Cameron |
(Vexed) Why should I have done? |
Sarah destroyed the Cyberdyne System Corporation to destroy Skynet. John Henry feared that she could have destroyed him too. Ellison |
Do you think that John Henry did that? |
Cameron |
I don't think that, I know that. |
I can access all John Henry's memories. Ellison |
John Henry... I should have figured it out... |
Cameron |
John Henry was right to fear Sarah, she would have destroyed him. |
Ellison |
I'm sure of this... |
After a short pause. Ellison |
Listen, I heard that you met Savannah. |
Cameron |
I already knew her. |
Ellison |
Oh, yes... in her house... |
Can I trust you? Cameron |
What do you mean? |
Ellison |
You know, it'd be good for Savannah to have some companionship, and Murch says it would be a good idea, for both of you, to spend some time together.. |
Cameron |
Are you asking me if I could hurt her? |
Ellison |
That's the idea... |
Cameron |
I don't think you've understood too much about me. |
I'm not a killer because I like to kill. We don't feel pleasure in killing, or hurting... Contrary to many of you! Ellison |
Touché... |
That's what I told them... I recommend, don't do things that could scare her, or disturb her. Cameron |
Like removing the bandage? |
Ellison |
(With an interrogative expression) Yes, exactly... |
Cameron |
It happened before, I didn't want, and Savannah scared. |
Ellison |
Murch told me she was with you when he arrived, and she was fine... |
Cameron |
She initially scared, and ran away, then she came back. |
She wanted to know how I was. Ellison |
So she wasn't so scared... |
Cameron |
Mr. Ellison, why did she come back? I don't understand. |
Ellison |
Well, kids are much more spontaneous than adults. |
She scared, but then she realized that there was nothing to be scared of. She asked you how you were because a child makes friends more easily than an adult, they trust more... And she wanted to be your friend... Cameron |
She doesn't know who I am. If she knew, would she be my friend? |
Ellison |
Do you think that a girl that age could understand who you really are? |
Cameron |
Can't she? |
Ellison |
Of course she can't, she still doesn't have the experience and the maturity to understand it. |
She's a kid. Cameron |
Mr. Murch says that he believes I'm like a kid too, because I've no experience. |
Ellison |
Well, I don't understand too much about you, or about who or what you are... |
But if he says that... Mosy likely it is as he says. I'll tell them Savannah can come here. Be sure not to scare her, and not to show her images or other contents that could upset her. Cameron |
I'll check the information on the web before showing her anything. |
Ellison |
Good idea. |
He looks at her for a couple of seconds. Ellison |
How is it going with your face? |
Cameron removes the bandage. The face is almost completely cured, but not the eye. Ellison |
It's healing. |
And what about the eye? Cameron |
That can't regrow. |
Ellison |
I figured that... |
He watches around, then takes a discovery sachet from the pocket of his jacket, smoking cause it's cold, and puts it on the desk. It contains two frozen eyes. Cameron |
(Looks the sachet, amazed) How did you know? |
Ellison |
Cromartie! |
He tore the eyes from the biologist who reconstructed his tissues. At first I couldn't understand the reason, because I didn't know who had been. Then I connected the dots. Cameron |
Who are they from? |
Ellison |
Someone who doesn't need them anymore... |
They were the same color as yours, so I took them. Cameron |
Morgue? |
Ellison |
Not exactly... |
Never tell anyone where they come from, especially Murch! Cameron |
No one but you knows they don't regrow. |
They will not even ask. Ellison |
Do you need something? |
To install them, I mean. Cameron |
Yes, the box with the surgical instruments from the infirmary. |
The signal doesn't arrive up to there. Ellison |
I've already taken something (raising the box which was on the ground). |
Do it now, I'll take them upstairs for now. He rises and refastens his jacket. Cameron |
Thank you. |
I'll need at most 30 minutes. Ellison |
Well. |
Then cover it again, they'll think it's regrowing. Lock yourself in. He checks his watch and starts going. Cameron |
Agent Ellison? |
Ellison |
Yes. |
Cameron |
Could you do me another favor? |
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