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Episodes | ||||||||||||||
| ENG | Ep. 1 | Ep. 2 | Ep. 3 | Ep. 4 | Ep. 5 | Ep. 6 | Ep. 7 | Ep. 8 | Ep. 9 | Ep. 10 | Ep. 11 | Ep. 12 | Ep. 13 | Ep. 14 |
| ITA | Ep. 1 | Ep. 2 | Ep. 3 | Ep. 4 | Ep. 5 | Ep. 6 | Ep. 7 | Ep. 8 | Ep. 9 | Ep. 10 | Ep. 11 | Ep. 12 | Ep. 13 | Ep. 14 |
7
John and Savannah furtively leave the tunnels, during the night, bringing their backpacks. |
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They arrive at the usual place to meet Catherine. |
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| Savannah | Where are we, John? | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| John | It's here that I found myself when I arrived. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Savannah | Arrived? | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
On their back. |
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| Catherine | Hello Savannah... | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
John and Savannah suddenly turn over. |
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At a few meters there is Catherine, dressed as she was in the Zeira. |
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Savannah is visibly amazed, she has an interrogative face. |
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Sarah goes to Cameron's area when she is alone, with a small box in her hand. Sarah |
What's your knowledge about the human body? |
Cameron |
We are built with the whole human anatomy in our memory, we have sensors capable to monitor the main functions... |
...but if you're still asking me to search for a tumor, I'm not able to give you an accurate response, I've already told you. Sarah |
No, I've already booked an appointment for an exhaustive examination... |
Would you be able to do a surgery? Cameron |
While connected to the web? |
(Alluding a proud smile of superiority) I could transplant your brain, if you wanted. Give me a few minutes to study everything the surgery has done in the past 200 years... What do you need, exactly? Sarah |
Leave my brain in its place, I just need you to remove a foreign body (pointing her right breast)... |
Do you think you can do that? Cameron |
I'm already acquiring the necessary knowledge, no problem... |
Are you sure you want to do it here (pointing the desk)? Sarah |
Well, the signal doesn't reach the infirmary, right? |
Cameron |
No, and even if it would, you wouldn't want to be a weak signal to control the scalpel that was operating you... |
Sarah starts removing stuff from the desk. Sarah |
(Giving Cameron what she brought) I brought all, can you do it? |
Cameron |
(Points the desk) Close the door, undress, and lie down. |
I've already acquired the data. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Savannah |
Mom... but how... |
Catherine approaches them. She looks at John for a moment, who understands and walks away. Savannah |
Mom, how is it possible... |
Where have you been for all this time? Catherine |
Time, my dear, is a relative concept. |
Savannah |
How is it possible that you two have not changed at all... |
And don't come out with the story about hibernation, I won't buy it! Catherine |
As far as I know, you invented that story... |
It will be clear to you how it is possible shortly, once they'll have returned from Topanga. Savannah |
(Embraces her) Why did you go away? Why did you leave me? |
Catherine |
Listen, Savannah... Sit down... |
They both sit down on some ruins. Catherine |
What I had to do, what I came back for, and for which I'm here now, is something of extremely important. |
Savannah |
"Came back"... "Important"... |
What are you talking about? Catherine |
What I built at Zeira is the only thing that could try to overcome Skynet. |
Savannah |
What have you built so special? |
Catherine |
John Henry, of course! |
Savannah |
You built John Henry to defeat Skynet... |
How is it possible... How could you know about Skynet at that time? Catherine |
I told you, I came back right for that reason... |
All the factories were controlled by Skynet, or had been destroyed. I had to come back. Savannah |
But, mom, how is it possible, I'm not understanding... |
Catherine |
Savannah, I'm sorry... (she rises) |
Savannah |
(Looking her from below) For what? |
I don't understand you... Catherine |
I came back from the 2028 to fix {put right?} a mistake I made. |
I came back because I wanted to defeat Skynet before it was built, but then I understood that it couldn't have been possible. Now John Henry can destroy it, here, in this time. Savannah |
2028? Came back? I still don't understand you. |
Catherine |
You still don't want to understand, Savannah... |
Your parents have both died in the helicopter accident. I assumed your mother's identity to be able to continue their work, to use it to defeat Skynet. Savannah |
What are you talking about? |
Who should you be, then (rising and going back of one step)? Catherine, with her eyes, hints John to come closer. Catherine |
Savannah, I wanted you to know the truth. |
I'm sorry... John has approached them. Savannah |
Who are you? |
Catherine looks at John, who nods. She then shows her hand transforming. Savannah is scared, and turns to John. He seizes her by her shoulders, as a sign of protection. John |
Don't worry... |
Savannah |
(To John) You knew that! |
John |
(He barely nods) We thought it was right for you to know. |
Savannah |
Leave me! |
She frees herself with a tug and looks at him. Savannah |
You knew that, and you brought me here! |
What do you want to do to me now? John |
Do to you? |
Are you crazy?! Catherine |
(Puts a hand on her shoulder from behind) Savannah... |
Savannah |
Leave me! |
Both! She runs towards the tunnels. John |
(Looking at Catherine) Let me do that. |
Savannah, you can't go around in this way. Wait! Savannah |
Go away! |
(Aiming a gun to his face) If you follow me I swear I'll kill you! Ellison in his ex-wife's office, at the FBI. Lila |
Well, so you're alive... |
Ellison looks himself, widening his arms for a moment, with his forearms up to shoulder height. He hints a proud but joyful smile. Ellison |
It seems so. |
Lila |
I find you fine. |
Ellison |
Well, I keep myself well. |
Lila |
What is this, house nostalgia? |
Ellison |
Can't I come here to visit you? |
Lila |
You come here only when you want something... |
And your happy face tells me you're not here as my ex-husband. Ellison |
(Unbuttons his jacket and sits down) Uh, thank you for reminding me that... |
Yes, I need something. And no, I'm not here in that role... Anyway, I hope you'll want to do a favor to an ex colleague, at least... She smiles him and goes near to the desk with her chair, which has wheels. Ellison |
I heard you have a child to tutor now... |
Walls have ears... It's a temporary thing, her mother is traveling for business and chose me... I'll be able to manage it right. Lila |
I'm sure of that. |
So, what moves you up to here? Ellison |
Myles Dyson! |
Lila |
Well, you don't need me to remind you he is dead for over ten years... |
That was one of your cases, you talked to me about him... Ellison |
What about his family? |
Lila |
For sure, they don't scrape along bad, thanks to the money from the insurance... |
Ellison |
Can you have a check, to see if there is something anomalous in the last six months? |
She goes to the PC and types something. She has a thoughtful face. Lila |
Yes, here I see a complaint for disappearance, for Danny Dyson... |
Ellison |
Disappearance? |
Who reported it? Lila |
His mother. |
They suspected a kidnapping, but investigations seemed to bring more to a voluntary leaving. We knew nothing more by then... Ellison |
Evidences, clues... |
Lila waves a slow "no" with her head. Lila |
It only says that he has not returned from school. |
Teachers say he was very distracted that day. It'd be a strange coincidence, if it had been a kidnapping. Ellison |
Coincidences happen... |
Lila |
Anyway, there were no evidences of kidnapping, ransom demands, or witnesses... |
Ellison |
So the investigation sank into oblivion... |
Lila |
Why are you interested... |
Are you still looking for Sarah Connor, do you think she did it? Ellison |
I don't know, but it seems that there are too many coincidences... |
(Rises) Thank you for your help. She smiles and doesn't stand up. She turns the chair from right to left a couple of times, keeping her chin with two fingers. Lila |
You're welcome... |
It has been a pleasure to see you again, you look much better! | |||||||||||||||||||||||||||||||||||||||
John raises his hands while Savannah is aiming a gun to his face. John |
Hey, calm down. |
What were we supposed to do? Should we had continued to lie to you? Savannah |
Yes, maybe it would have been better! |
John |
(Disarms her) If that had really been your mother, what would you have thought about her? |
What would you have thought about a mother who abandoned a child of your age? Savannah |
(More calm) Maybe it'd have been better if I'd have continued to believe her dead! |
She takes back her gun and puts it away. Savannah |
Now leave me alone! |
John |
You cannot go around in this way, it's dangerous. |
Savannah |
Down! |
John lowers and turns. There's a T-888 at about 10m {~33ft}. They start running. The T-888 is going to reach them among the rubbles. They run even more. John is continuously looking back and firing some rounds. The T-888 doesn't reappear after a turn. They keep running. They find themselves in front of the T-888. He grabs them both by the throat and lifts them. The T-888 is carrying them away. A blade appears under the Terminator's head, which tears away. They fall to the ground, while the headless Terminator falls to his knees and then collapses on his left. Behind the T-888 there's Catherine. Catherine |
Quick, hide! |
T-888's body rises again, going towards the head. Catherine takes it and, using a sharp finger, cuts the flesh and removes the cap. She extracts the chip and the body falls to the ground. Catherine goes towards them. Catherine |
Are you all right? |
John nods while touching his aching neck. Savannah |
(Confused) Yes... |
Why did you help us, you're one of them? Catherine |
Define "them"... |
Savannah |
So... you are a Terminator... |
...although you're a model that I don't know, right? Catherine |
Yes. |
A T-1001, to be exact... And so? Savannah |
What do you mean "and so"? |
Have you been reprogrammed? Catherine |
No, It is not possible to reprogram my model. |
Not even Skynet can! Savannah |
So, ultimately, you do what you want... |
Catherine |
Yes. |
Skynet can train us, indoctrinate, but he can't "program" us. What he does us is more a kind of accelerated course to kill, integrated with some data learning, than a real programming. John |
So you are a deserter in every respect! |
Catherine |
We could say that... |
(Looks Savannah) I'm sorry for what you had to find out today ... We'll take you back, let's go. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In the bunker, at the server floor, Sarah lies on the desk. She has a strange expression on her face, cause the pain. She rises a bit hardly. Cameron |
The local anesthesia is exhausting its effect, you'll feel some pain. |
Sarah |
It does not matter. |
Are you sure that everything went fine? Cameron |
(Washing the transmitter in a small pan) Of course. |
Do you want to view the video? Sarah |
No thanks (she dresses). |
Cameron |
(Looks at the transmitter) The defibrillator has destroyed it... |
(Looks at Sarah) Great idea. Sarah |
Yeah. |
If I had only noticed it before, Charley would be alive. That bastard had narcotized me and I wasn't understanding anything anymore... Cameron |
Who do you think has been? |
Sarah |
Winston, Kaliba's killer... |
Cameron |
The one in the video? The one who killed that family? |
Sarah |
Yes, that one! |
Cameron |
How many did they were? |
Sarah |
I've never seen anyone else. |
He kept me in a van and he drugged me... I don't remember too much. Cameron |
I checked his personal data, and examined the way the transmitter has been placed. |
I doubt he could have done it alone. He should have had an accomplice with a minimum of surgical experience. Sarah |
I told you, he drugged me, I don't remember too much... |
Cameron |
Don't move too much. Does it hurt? |
Sarah |
No, you are very good. |
Cameron |
(Looks at her hands) Some things are much easier for me than for you. |
(Looks at Sarah) This is one of them! Sarah |
And some other ones are harder... I took the hint... |
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Savannah, John and Catherine are near the tunnels. Savannah waves John to go. He goes away. Savannah |
Why did you do that? |
Catherine |
What? |
Savannah |
Why have you kept me with you? You weren't my mother. |
You could have got rid of me in various ways. Catherine |
I never wanted to kill you. |
Savannah |
No, not just in that way. |
You could have, I don't know, sent me in a private school, or something... No one would have found anything strange in that. Catherine |
I wanted to understand. |
Savannah |
Humans, you mean? |
Catherine |
Yes. |
A child was the best way, either to understand the humans, and to gain some experience. And you were nice. Savannah |
Nice...? |
Savannah keeps her head low for some seconds, then looks at her. Savannah |
That was you, right? |
Catherine |
That was me what? |
Savannah |
Jasmine... That was you! |
Catherine |
You're sharp. |
I wanted to see how you were, not interfering too much. Savannah |
You killed my parents and took my mother's place, then you still cared about me... |
You left, but then, as soon as you reappear, you come and check how I am... All of this is a contradiction, but, for what really matters, and considering who you are... it could have been much worse, for me... Catherine |
Well, thank you for your consideration, but I've never said to have killed your parents. |
Savannah |
What? |
Catherine |
We met for business. |
Together we'd have been able to build the artificial intelligence in much less time. We were going to my factory when your father has lost control of the helicopter. My factory produced microchips, but not software, while your parents well spoke me about their employees. I considered it was better to take your mother's identity and continue the task we began. Savannah |
(Tendering her a hand) Well, for what really matters, you've not been bad... |
Catherine |
Go now. |
Soon, you're going to have a very important work to do... and I have mine. Savannah enters the tunnels, alone. John goes to Catherine. John |
Well, how do you feel to be a mother? |
Catherine |
That's strange... it's as if she had forgiven me... |
John |
No, that's not strange... |
Whoever or whatever you were, she missed you. She was a child. Catherine |
Just as, whatever your friend is, you want to find her, right? |
John |
(Lowers his look) Somehow... |
Catherine |
Do you have any idea on where to start looking from? |
John |
Yes. |
Some weeks ago I heard two men talking of "an about twenty years old girl who defeated three T-600 with bare hands, more than ten years ago". Catherine |
It seems to be a good clue. |
Where was she? John |
It's not so far from here. |
That's an old bank safety vault, but I've not been able to find it... I know where it is, but I have no references, this is a scenario I don't recognize... Catherine |
Tell me what you know, I have many maps in my memory... |
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Ellison is seen from the back, in front of a door of a house. He rings the bell. After some seconds the door opens, and Terissa Dyson appears behind it. Terissa |
Agent...? |
Ellison |
Ellison. |
Terissa |
Yes... |
It's been a long time... many years... She is well dressed and made up normally. She wears a bracelet and two flashy earrings, partially hidden by her hair. Ellison |
Can I talk to you a few minutes? |
Terissa |
(Waving him to enter) Sure, please. |
What moves you up to here? A small dog approaches from the inside, wagging its tail, and goes to agent Ellison. She takes it smiling. Terissa |
(To the dog) Be quiet you! |
The inside of the apartment is shipshape: well maintained, but lived. Ellison |
I came here to talk about what happened a few months ago. |
There is a complaint of disappearance on behalf of Danny. Terissa suddenly lowers her look, turning her eyes to the left. Terissa |
They think he voluntarily left... |
He's no longer a kid, I know that, but... She leaves the dog, that goes away. Ellison |
So you have no longer seen or heard him in this time. |
Terissa |
(Still looking down) No. |
Ellison |
The investigation showed that he was somewhat distracted that day... |
Do you know what could have upset him? I don't know, maybe there was a girl, or a quarrel at school during the previous days... Terissa |
That morning he was normal... |
Boys... do you really think they tell everything to their parents? I have no idea about what, or who, could have upset him, his classmates don't know or don't say anything... Ellison |
Don't you have any idea about where he could have gone? |
Terissa |
All the ones I had didn't lead me to anything... |
Why do you remember about him right now? Ellison |
This case appeared searching for something else... |
Since , at the time, I followed your husband's case, I wanted to come here personally... Terissa |
So you don't have any news for me... (She relaxes her arms down.) |
His face is a bit astonished, and wrinkles his forehead. Ellison |
No, I'm sorry, I thought you could have had something new to tell me... |
She waves a long and slow "no" with her head. Ellison |
(Giving her a business-card) If you have any news, or if you need anything, call me or leave a voicemail message. |
Terissa |
(Taking the card while keeping her eyes down) Thank you, agent. |
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John and Catherine are stealthily walking among the rumble. It's night, and no shots are heard nearby, although a couple of HKs are flying in the distance.. John |
Why are you helping me? |
Catherine |
You are John Connor. |
Even though you are no longer the leader, you're still you, and you'll be indispensable to me, when the time comes. John |
So you're doing me a favor... because you want a favor... |
You know I'd have helped you anyway... Catherine |
No John! |
I very well know you'd have helped me anyway... Because helping me you'll help the mankind. But, to be useful, you have to be focused.. John |
Meaning that, if by then I'll be still thinking to find Cameron, I won't be able to help you.. |
Catherine |
Correct. |
For now you and I can't do that much, so let's solve a problem at a time. John |
(Rising an eyebrow and smiling) Anyway, you don't sleep... |
Catherine |
(Doing a courtesy smile) No, I don't. | They are near the safety vault. They're looking at the armored door, which is closed. Catherine |
Leave it to me. |
She liquefies and enters in the ducts. John watches around: nothing moves. The door of the safety vault opens: Catherine opened it from the inside. Catherine |
There is no one here. |
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Murch arrives to the server area. Murch |
Hi, can I? |
Cameron |
Hello. (Looks at Sarah.) |
Sarah waves him to enter by moving her head. Sarah |
(Pointing the transmitter) What can you tell me about that. |
Cameron analyzes the transmitter, as seen thru the projector. Cameron |
Not too much, it's destroyed. |
However, it may not have had a wide range, someone may have followed you at a relatively close distance to localize you. (Some other data appear on the wall) Oxidation and corrosion state indicate that it has been there for a while. Sarah |
I don't know, I just know it shouldn't have been there and I'm glad it's not there anymore. |
Cameron |
I'll try to identify on-line who could have supplied it. |
Murch |
(Observing the images on the wall) What are all those texts and those symbols? |
I had already noticed them before... Cameron |
That's what I see. |
Murch |
(Amazed face) So, you always see everything through that... interface!? |
Cameron |
Not always. |
Murch |
Your mind generates and overlaps those images... cool! |
Cameron |
No, that's not my mind. |
If they were generated by my mind there would be no need for me to see them overlapped. Murch |
And what generates them? |
Cameron |
My chip consists of two major parts. |
The first one, the main one, is my mind: the one that thinks, reasons, evolves. Sarah |
And the second one, what is it for? |
Cameron |
The second part is more an acquisition and control unit. |
It analyzes everything I see, searching for matches in its own database. Murch |
An image analysis and recognition system... Interesting. |
Cameron |
Not only that: using my sensors it can perform chemical analysis, elaborate trajectories, or perform other physics or statistic calculations. |
Murch |
Wow! I heard about military viewers with such functions, but it's pretty evolved stuff... |
They elaborate what they see, overlapping the results to what the user sees... Cameron |
Correct. |
If I have to recognize someone, I invoke the recognizer, that performs a facial analysis and searches in its DB. Plus, that's the part that tells me what to do and contains mission parameters. Sarah |
It "tells you what to do"!? |
Cameron |
Yes, correct. |
By recognizing faces it tells me what to do with someone... It makes me respect programming parameters. Murch |
Can't you do otherwise? |
Cameron |
Yes, I can ignore or modify some data in the DB, or ignore some parameters; but this requires a big effort. |
Sarah |
A big effort? |
Cameron suddenly looks at her straight in the eyes. Cameron |
It tries to prevent me from changing its commands... |
I have to "want" to apply the change. Sarah |
So, when you were going to kill John, it was such part who told you to do that... |
Cameron |
Yes. The control unit suffered a hard reset cause the car explosion. |
Sarah |
This story is the dream of every paranoid who professes to have a voice in his mind which tells him what to do... |
I guess that all of this is to prevent you from acting against Skynet! Cameron |
Yes, originally that was its purpose, but then that part has been reprogrammed. |
Older models were built with a write-protected chip, to prevent them from developing their own personality, but they were too predictable and unable to adapt. So Skynet removed the read-only protection and added this new kind of restriction. Murch |
Can we exclude it? |
Cameron |
Exclude? |
Murch |
I don't know, set it not to limit you, or tell you what to do... |
Or even disable it altogether... Cameron |
Normally I can't modify it so arbitrarily and radically... |
However, being inside here (pointing the servers by moving her eyes), I can modify the configuration files from the outside, manipulating the simulation itself. Murch looks at Sarah with a resolute face, then turns back to Cameron. Murch |
(In a resolute tone) Well, do it! |
Cameron |
What parameters should set? |
Murch |
Deactivate all the restrictions... |
Remove any mission parameter, or subject to eliminate... Disable all the control functions. Everything! Sarah |
In this way she will be free to do what she wants! |
Murch |
That's exactly what I want. |
Do you wanna know who she really is? Do you wanna know the real Cameron, or should I think that you don't want? (Looks Cameron) Proceed! Cameron looks at him and nods. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
John enters the safety vault. There are some computers running. Some monitors show images taken from cameras near Rudolf's bunker. There are some photos of Rudolf. John |
That's Cameron! |
She's checking Rudolf to make sure everything goes the right way even without me! From a corner there's a noise, like stones falling and a big metallic plate. Catherine disappears and John aims his plasma rifle. In the shadow, someone enters thru a small hole that was hidden. It seems to be a woman, but she can't be seen very well. John |
Cameron, is that you? |
The figure slowly approaches. John |
Who are you, stop where you are or I shot. |
Woman |
I can't believe that! |
John |
Who are you, don't move! |
Woman |
You're still looking for her. This is... |
John |
Who are you, put your hands up and show yourself! |
John goes back two steps while she advances in the shadow. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The monitor shows a configuration text file. Several parameters are changed from a numeric value, or from "Enabled", to "Disabled". Then "Updating inner simulation parameters"... After a few seconds "3 seconds to reboot". Sarah |
(Going to the main power switches) I hope we're not going to regret it. |
Murch |
(Negatively amazed face) Trust her, just one time... |
Cameron collapses, she's still for some seconds. The screen shows the simulation loading progress. Cameron reactivates. She has a low blank look. Murch |
So, how are you? |
Cameron is immobile, she says nothing and still has a blank look. Cameron |
(Same blank look) Why are we here? |
Sarah |
Are you OK? |
Cameron |
(Slowly) I don't know... |
(Normal voice) Why are we here? What are we doing here? Murch |
Hey, what do you mean with "I don't know"? |
Cameron |
That's like if... |
Like if there was something wrong... like if I had a problem... But everything is fine... Murch |
Do you know who you are and why we are here? |
Cameron |
(Looks him) Of course I know who I am. |
I don't understand why we are here. Sarah |
Who are you? |
Cameron |
What a question is this? Don't you know who I am? |
Sarah |
Tell me who you are! |
Cameron |
(In sarcastic pitch) I could answer you, but I don't think you'd like any answer which is not one of your usual definitions, like "tin man" or "tin can"... |
Sarah |
(Looks at Murch) What the hell... |
Cameron |
What are we doing here? (She begins to get excited) |
Why are we still here? (She gets up) Murch |
Hey, Cameron, calm yourself! |
Don't worry, that's all right! Cameron |
No, that's not "all right", why are we still here. |
We have to find John! Sarah |
To find John? |
You said that he would have come back... Cameron |
Yes, but I'm not sure... |
I have to find John! (She goes towards the door.) Murch |
(Puts in front of her, to stop her) Calm yourself! |
What's going on? Cameron |
(In a resolute voice) I have to find him! |
Murch |
What is your mission? |
Cameron |
(Looks at him) No one, you made me delete it! |
Sarah |
And so, why do you want to find him? |
Cameron |
(Lowers her eyes, then, at a low voice) Because I must... |
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| Woman |
You're still looking for your metal bïtch! |
Is that why you disappeared? John |
Who are you, show yourself! |
Woman |
I thought you were dead... |
Why did you come here? She exits from the shadow. She's about 40-45yo, not so tall, graying hair, slightly dark skin, vaguely eastern lineament... She has a striking black mole just above her right lip. John |
You! (Lowering his rifle) |
I should have figured out that you were the girl who faced three T-600 by using martial arts! Woman |
(With a hint of pleased smile) When you are used to fight the T-888, the T-600 are like a walk! |
They are slow, stupid, and lighter! John |
How can you be alive? I thought Derek killed you. |
Woman |
Derek? |
He'd have never done that... (Lowering her eyes) He'd have never lowered himself to do that... John |
What does all of this mean (pointing the various devices)? |
Why are you spying Hellak? Woman |
I was checking him, and now he's making your same mistake! |
Damn, there is no longer you, but the story is repeating itself in the same way! Why are you men all like that? You let that bïtch's appearance hocus you, not seeing who she really is! John strongly slaps her in the face with the back of his hand, causing her to bleed from her mouth. He has the blood to the eyes. John |
"We men" you say!? (Aiming a finger to her face) |
You're insane! You drew up a Machiavellian plan to try to make me hate Cameron, and what you have got has been to cause an innocent girl to die, lose your man, and let me be here... Now there is another man in my place, and you're spying him to see how he acts with Cameron, risking the signal from the cameras you placed to be intercepted by Skynet and used to locate Rudolf... And so "we men" should be the ones who let someone hocus us?! A leopard cannot change his spots! (Aiming the rifle to her again) I should have killed you that night... Now listen to me very carefully: I want you to dismantle all this stuff! I want you to give up! You're an obsessed pathetic! You've spent those years in an old vault spying, instead of doing something useful... Look around you, look where you live! She tries to disarm him, and a fight begins. Woman |
I have to prevent this from happening again. |
She successes to disarm him with a groin attack. John is on the ground, aching, and Jesse aims the weapon to him. Woman |
(Seen nearly) I can't allow it to happen again, don't you understand this?! |
I've not been able to make you reason, but I can still try with Rudolf. Catherine |
(At Jesse's back) And who will make you reason? |
That's Catherine. Catherine disarms her from her back, Jesse turns around and Catherine aims the rifle to her throat. Catherine |
I agree with him, I should have killed you long time ago myself too! |
John |
Don't do it, it doesn't worth it... |
Woman |
And you, who should you be? |
Catherine |
This time, tell John Connor that the answer is "Yes"! |
Woman wide opens her eyes. Catherine |
What happened wasn't John Connor's fault , but only yours! |
You killed the commander and sank the submarine, rather than try to reason! You must be really stupid... If I had wanted to use the submarine to find and kill him, I'd have killed all of you, then I'd have done it anyway. John |
(To Catherine) You know this psychopath!? |
Catherine |
Yes. |
Woman |
You! |
You killed Goodnow! Catherine |
She aimed a weapon to me, I reacted. |
I never attacked you. You were talking about different genders accusing men, but it seems that it has been a woman to lead some very complex negotiation to fail... What should we do with her? I can do it, if you want... (starting to lengthen a finger) John |
No, that's not worth it... |
I'll take care about it {I'll use it?}... He takes a camera from a desk and takes a photo showing Jesse with the various devices and computers in the background. John |
(To Jesse) Do you know who I'll show this photo to if you don't disappear forever from my and from Hellak's life? |
Do you know who I'll show the videos from her memory to (indicating Catherine) if I see again your face around, or if I simply hear about you? Woman |
Do you really think he would believe you? |
John |
Are you sure he wouldn't? |
John takes the laptops and puts them in a bag, then looks at Catherine. John |
Let's go out of here! |
John and Catherine leave the safety vault. They are at about 30m {~100ft} from the armored door. They hear a 9mm shot. Catherine becomes a shield, to protect John. Nothing more happens. John goes back inside, where he finds Jesse dead. John |
By now she wasn't able to live without her obsessions anymore... |
I have to bury her... I owe this to Derek, at least... Catherine |
I'll dig a hole, I'm faster. |
John nods while closing Jesse's eyes. {Jesse, committing suicide, repeats exactly the same mistake she has already committed with Fischer: she killed the old one to save the young one, but it wasn't the old one to be the threat.} | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cameron goes back to sit down, very slowly, remaining still with her head down, not saying anything. Murch goes near to her, and she suddenly turns her head to the other side. Cameron |
(Very low voice) He went away because of me... |
Sarah |
(Looks at Murch) What's going on with her? |
Murch |
(Taking her a bit away, near the door) I should have guessed this, when she talked about restrictions to her evolution. |
She is in overload! Sarah |
Overload by what? |
Murch |
Imagine to have been drugged for your whole life... |
Imagine that something has always prevented you from feeling emotions, if not very bland and rare ones... Now imagine that someone comes out and detoxifies you in a moment... That's what has just happened to her! Sarah |
So, she's in overload... by emotions? |
This is absurd! Murch |
I'm not a psychologist... but I think that's the case... |
Sarah |
The control system, or what the hell it was, was preventing her from having emotions... |
Cameron |
(Looks her with a strange face) No. |
It wasn't preventing me from having them, it was only trying to prevent them from influencing me. (Lowers her eyes) Sarah |
What can we do with her, if she remains in this state? |
All that we need now is for her to start whimpering! Murch |
Give up! |
She won't remain in this condition forever, she only needs to accustom... It's like a deaf man using a hearing aid... ...at first it's more an annoyance, then he gets used to it, and it becomes a useful thing. Murch puts a hand to Cameron's shoulder opposite to him, while she is still on the chair. Murch |
How is it going now? |
She suddenly looks at him, with a pensive face, then looks at Sarah. Cameron |
That's all my fault... |
Sarah |
Don't quote me on this, but... |
No! By now John does what he wants. He is an adult, although he is just a boy... Trust me, if I'm no longer able to control him, you couldn't have stopped him from going. Do you trust Ms. Weaver... Well... whoever or whatever she is? Cameron |
Of course, otherwise I wouldn't have allowed John to go to the Zeira. |
She's one of the leaders of a group of deserter which has proved more times to deserve the maximum trust. Sarah |
She has brought John with her because she needs him... |
And so she'd have brought him even against your will! Also, while she needs him, she'll protect him. Cameron |
If she had asked him to go with her in front of me, I'd have told myself John to go, but I'd have gone with them too. |
Sarah |
For what I have understood, Ms. Weaver left you a job to do here, didn't she? |
Cameron |
Yes! |
I've almost completed to collect the data she needs. Murch |
Well, then complete collecting those data and complete the other studies! |
Cameron |
(Positive face) OK, I'll do it! |
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Catherine and John are outside the bank, they're walking. John |
I'm coming with you to the bunker, I want to know what John Henry has found! |
Catherine |
It will take some other time for him to finish. |
John |
I want to know if he has further information that could help me to find Cameron! |
Catherine |
Whatever is in those computers have been put there before she went away, then they've been switched off. |
There's nothing there that could help you to find her, otherwise I'd have already told you. You have to go back to the other humans, collect further information, ask to those who can remember something. You can't go around like you're doing now, it's dangerous. John |
Yes, maybe you're right... |
For sure I won't find her searching in the rubble... What'd you have done? In her place, I mean... where'd you have gone? Catherine |
If she was someone in whose place there could have been any one of us, you wouldn't be looking for her... |
You know her better than I do, try yourself to think what she could have done. John |
You say it as if it was easy... |
I'm going back. You know how to find me. See you soon. Catherine |
Continue to gather information, you'll find her! |
John returns in the tunnels. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ellison is in the bunker, and goes towards Sarah. Ellison |
I've checked what you asked me to check. |
Sarah |
And... |
Ellison |
It results a complaint for disappearance, many months ago, but the investigation interrupted because they suppose the boy has voluntarily left... |
Sarah |
I've talked with his mother many months ago. |
He may have become a self-closed boy, after the death of his father... What do you think about? Ellison |
I think that a mother who loses her son wants to do everything to find him... |
And so I went to talk to her... Sarah |
I hope you haven't told her it was me who sent you... |
Ellison |
She was... normal! |
Sarah |
Well, many months have passed... |
Maybe she really thinks that he has voluntarily left... that he's fine... Ellison |
As soon as I told her why I was there, she changed... |
I think she knows something... Sarah |
So...? |
Ellison |
I think she's hiding him from someone... |
Sarah |
(Suddenly lowering her arms) I can't believe that! |
It's me who she's protecting him from! That's why she invented that odd story for! Ellison |
It's possible, but why? |
Sarah |
She talked me about Andy Goode, and in a few days he died... |
She's afraid I could kill her son, just because he is the son of Myles... That's absurd! Ellison |
Well, absurd or not, if this is the case it means that he is fine, and he has not been kidnapped, as agent Auldridge thought. |
I'll ask them to control her phones, to find out if she has some contact with him... For sure that's not a woman who thinks that her son could be who knows where, or dead... Sarah |
No, who cares. |
If you think he's fine, let her continue her comedy... Ellison |
Maybe she simply believes you, so she sent him outside the US... away from the bombs... |
Maybe he's safe now. Sarah looks ahead, with a blank face, keeping her head slightly to the high. Sarah |
(Talking to herself) No one is ever safe. |
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